“Isn’t it fitting that you’d be in your mother’s dress. Tighter around your belly because of the life that swirls inside you, standing patiently as Aggie adjusts your hem. The wall behind you... angel wings. Southern light eight minutes from the sun streaking across Alabama through red clay haze, through the slit in the curtain, falling on the floor. Forever on the threshold.”
Carin Riley
Torso ,2020
Charcoal and Metallic
Watercolor on Fabriano paper
37 1/4 X 25 inches sheet size
40 x 27 inches framed approx size
Ryan Sullivan
Untitled, 2016
Pigmented urethane resin and fiberglass
Robert Motherwell
Drunk with Turpentine
Billy Childish
Man in Camouflage, 2014
oil and charcoal on linen
60 x 40 inches
Carin Riley
Athena, Charcoal and Ivory, 2021
watercolor and ink on Fabiano paper
42 x 40 inches framed
Bo Bartlett
The Fitting, 2021
Oil on panel
32 x 43 1/8 inches (81.3 x 109.5 cm)
Signed: "Bo" (verso)
"THE FITTING"
“Isn’t it fitting that you’d be in your mother’s dress. Tighter around your belly because of the life that swirls inside you, standing patiently as Aggie adjusts your hem. The wall behind you... angel wings. Southern light eight minutes from the sun streaking across Alabama through red clay haze, through the slit in the curtain, falling on the floor. Forever on the threshold.”
– Bo Bartlett
Robert Polidori
Versailles, Salle d'Afrique, Painting of Louis XVI by Callet, 2007
fujicolor chrystal archive print mounted on dibond
40 x 60 inches
from a sold out edition of 10.
Milton Avery (March 7, 1885 – January 3, 1965)
Boathouse By the Sea, 1938
Watercolor on paper
22h x 30w in
Larry Rivers
Rejected Copy, 1978
Pencil and colored pencil
28h x 23w in
Wolf Kahn
Aura, 2002
Pastel on paper
17h x 20w in
Framed: 23 1/2h x 27 1/2w in
Carin Riley
Torso ,2020
Charcoal and Metallic
Watercolor on Fabriano paper
37 1/4 X 25 inches sheet size
40 x 27 inches framed approx size